![]() Conceived by French writer André Breton (Curtis 22), this cultural movement revolved around finding ways to translate humans’ unconscious thoughts and desires into art (Bordwell and Thompson 474). Above all, Surrealism was an art, literature, and film movement that flourished in Europe between 19 (Bordwell and Thompson 474-475). More specifically, a closer look at the filmmaker’s narrative structure and aesthetic style reveal that Gondry’s experimentation with film form in Eternal Sunshine of the Spotless Mind reflect aspects of the avant-garde practices Surrealist filmmakers were working with in the 1920s.īefore considering how Gondry incorporates aspects of Surrealism in Eternal Sunshine of the Spotless Mind, it is important to consider what this film movement entailed. ![]() ![]() While Gondry’s unique exploration of Joel and Clementine’s relationship clearly blurs the boundaries between the romantic comedy and science fiction genres (300), the filmmaker’s spin on the traditional boy-meets-girl trope also has experimental qualities. Howard Mierzwiak’s memory-wiping technology, after their two-year tumultuous relationship ends in heartbreak. Conceived by Gondry in collaboration with the renowned American screenwriter Charlie Kaufman (Cardullo 299), this film tells the story of Joel and Clementine, two former lovers who decide to erase their memories of one another, with the help of Dr. Ranked number six on the British Broadcasting Corporation’s 2016 list of “The 21st Century’s 100 Greatest Films” (BBC “21st Century’s 100 Greatest Films), Michel Gondry’s independent production Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) explores themes of love, loss, and memory. “Meet Me in Montauk”: Michel Gondry’s Incorporation of Avant-Garde Surrealist Practices in Eternal Sunshine of the Spotless Mind (2004)īy Sierra Lapointe Volume 26, Issue 1-2 / February 2022 11 minutes (2615 words) ![]()
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